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Merge | Rachel Coyne
By Aradhya Saxena
I have learnt early on,
That my body is not my own,
Soft fingers straining towards broken glass,
A dwindling existence in purgatory; home.
My memory is blotchy,
burnt hands and boiled pasta,
giggling over creaking metallic slides in the dark,
Black hair blanketing me,
wrapped around my throat;
Bloody lips and fingertips,
Digging into collarbones.
Salty tears run over long fingers,
as they force pulpous strawberries down my throat,
sweet juice choking up my lungs,
until there’s no more.
(No more of the juice? Or me?
I can’t seem to remember)
They burn in indignant resistance,
the only organs fighting back in my empty shell of a body,
I have deserted me,
a collapsing star in an empty galaxy,
Rings of cartilage crush against hands larger than my face,
My lungs, they fight anyway,
Expanding, contracting, contracting.
Sickly sweet plum and glazed apricots,
stain my childhood bedroom walls,
Juice spilt on soft, clean cotton sheets,
Snot dribbling into fruit bowls.
Skin sticky, nectar dripping,
down my nose, my neck, over my eyes,
the insides of my thighs.
I have left my heart in the fruit plate,
Carved cleanly out my chest,
Bones breaking and ribs snapping,
Beating organ pulled hastily out the cavity,
A tangled mess of torn arteries and veins left in its wake.
I have left my heart in the fruit plate,
Pulled carefully with artful precision,
and an unwavering painful grip;
It is covered in sweet summer sugar,
and small, alive writhing things.
I have left my heart in the fruit plate,
it sits delicately between the cherries and the plums,
A smear of bright red on impersonal white sheets,
crushed, fruit bits block every opening.
I have left my heart in the fruit plate,
It is infested with maggots now,
soft rotting flesh and fruit,
permeate these halls.
I have left my heart in the fruit plate,
my body on a honey-drizzled bed,
the last time I felt safe,
I was seven.
I have left my heart in the fruit plate,
my soul in an empty haunted house,
I have left my heart in the fruit plate,
I am going to get it back now.
Aradhya Saxena loves learning. She's not blessed with the artistic skill that seems to run in her family, but she's learnt to paint pictures with words rather than brushes, and she's willing to consume almost all forms of literature, despite being dramatic and picky in her tastes regarding books she actually likes. She loves the sciences, she loves studying the workings of the brain and the mind, she loves space, and the intricacies of nuclear fusion and the forming of stars, and she loves chemistry, the way it makes sense despite the countless exceptions it possesses, and she loves the matters of mind and the brain, the complexity of its working and its effect on behavior, and, at the risk of sounding like an absolute nerd, she craves knowledge like a starving man does food. Whether that be in the form of science, or literature, or complex analysis of a piece of media, she's a willing acceptor. Her finesse or skill at the subject is irrelevant in terms of her interests. She is perhaps average in almost all my fields of interest, but it doesn’t stop her from adoring them regardless.
Rachel Coyne is a writer and painter from Lindstrom, Minnesota.