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Untitled | Rachel Coyne
By Ashton Palmer
THE GIRL WHO NEVER WAS, PETAL FALL
The petals that curve your chest are
big & full & lovely & fall in months when the dog
sucks in, lets pink - the brown water stains -
wilt & leaves me so lonely
& without. Petal, pet, girl, gorgeous, love:
Salty blood fighting through my skin,
bursting at the finger-tips;
truly innocent, ingrained, visceral dread you can see drop
like a sack of heaviness to
the floor, its skin pierced with claw marks - nails sharp with the hope
of bloodying something as delicate
as the insufferable human body. I have
an image
not mirrored in my head;
Full-chested, absolutely lovely girl; she’ll wear
a sundress, Shirley Temple curls, giggle with a carnation baseline -
What could’ve been, what isn’t, what the fallen petals wished to lie on:
Now, withered they lie, rotted on a grave
of someone who never was.
USELESS BODY, WHEN ALONE
What Roars like a faucet and doesn’t come back?
- visceral tenderness, in crevices, it bleeds
when the wanting shows, when you
know I can’t go home the same as you do; a running lyric
In my head, I’m a moth bashing
Its spineless body at the window, alone without blossoms, nosebleeds
of human moments, of human time, mirrored grins, another:
Burning ashes, muddy water, a carsick driver, a useless pile of flesh & dirt, a keening child
I am alone. Gushing water.
I MISS YOU WHEN IN WANT, NOT IN NEED.
I’d expect nothing more than an empty,
placid stare by now — how long has it been?
Maybe a year, soon a few, where I have
throbbing headaches in your memory.
Often I think, if I see you again, would I bleed through
bones I’ve hardened in thought? Or melt to merge
a singular heartbeat?
I left you in sludge at that train stop, even if
we did wear cotton scarves for three more months —
I planned to end it then.
So the marrow blooms sprouted; course & heavy,
aching for our beginnings of bleeding red to gush
from older scabs. But in my sense, I felt a scar from our
relationship had already formed; there was no need to pick
at it now — you needed to heal too, without me.
“A leaver, not a fighter.” Hardly a lover —
I’m cowardly that way.
AT NIGHT
At night I bleed under the covers –
sheets pooling a large, deep stain – through to
the mattress & down to the gaping floor, a hole
of snapshots. Resurfacing to nip the face that peers
to it from above. To sink even deeper after held
hands, laughter & cheek-filled grins; an ever sinking
hollow of soil – fill it with water, sprout garden cress,
empty space, no doubt.
Saoirse Palmer, a transgender writer from Northern Ireland whose preferred name is Ashton, suffers from mental health issues. As he writes in a modern, free-verse style with a focus on relationships, queerness, and metaphors, he draws inspiration from Richard Siken and Ocean Vuong.
Rachel Coyne is a writer and painter from Minnesota.