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Untitled | Rachel Coyne
By Tiffany Troy
THIS
I specialize in disappointing
people I love, coughing
behind closed doors
because my sloth and mental weakness
allowed the plague to fall.
Master says, “Say something.”
I try to mouth:
“Why are you like this?”
Master says, “Be clear, what is this?”
I say, “This,” as in “this,” gesticulating wildly
as he comes closer. I’m sad
I’ll admit, being judged guilty too soon
by a myopic god who’s fuming.
But what excuse this time?
All I want is for him to stop
and leave me alone in the self-hate
he has so successfully cultivated
as I lay like a ragged doll
on white linen I hate for being washable
and hence salvageable.
I raise my folded arms to cover my head
but in truth my god needn’t strike.
I’m dizzy enough by 8:20 from all the blank
stares on Monday as I bide time
to let down everyone who ever loved me.
Scientists have discovered how bright
the universe is, but under the light panels
I google, “What if I cannot do this
aymore?” “Strong up,” Master texts me,
but I do not know that yet, as I close my eyes
to how alike I am to the uprooted roses,
their blossoms the ashen color
of dehydration. When the sun shines, I let out
a hacking cough, my disposal as inevitable
as the lost doll I once treasured.
THE VALLEY OF ASHES
There was a Queen who kept the talcum powder dear to her heart.
There was a King who made glue from horse bones.
Years later, the Queen’s Sphere tilted just so.
It was glorious once, in the Valley.
Still, the Architect reclaimed the wetlands
with some solid waste to create parkland.
“The valley of ashes are bounded on
one side by a small, foul river. . . ”
The sweet mandarin is so sweet.
Did Ugolino gnaw on the flesh of his sons?
You are a windmill.
I am born of the river.
Down at the glass-bottle beach:
Ceramic tiles, bricks, newspapers, and glass
Lie side by side with deck markers,
Beachcombers pick up dolls and furniture,
Someone’s refuse—another’s royal mound.
The shadow of the waste of past generations.
“The wind has left, the sand is gone. . . ” Hsin said.
I behold the sphere in the outskirts of the city.
my Queen bedecked with graffitied rocks reaching
to console those who mourn in Zion, to give them beauty for ashes.
In the sea, a reflection of the red sunrise, memories where train tracks once were.
SHEPHERD OF TROY
Mama, when I am crying, always holds me:
big crybaby in her arms, and I break
down as the demasiado world breaks me
into pieces. You would think I could now sleep well
at night but I wake up and wonder if Master was right
when he said, “You should have kept mum.
You knew what was going to come after that.”
“I am afraid, Mama. Have I done the right thing?
Nobody else said nada.
That’s what they call us, troublemakers.” I asked
Friend if he thought I did the right thing.
Master said beware of men who promise
with their falsetto the meadow as the wild wind
blows. I wipe away my big fat tears
with Kleenex like Sisyphus, as droplets just keep rolling
down and I cry some more out of shame.
Mama holds me, “Oh, darling, you are
hurt. You are a good person, I know that.” But being good is use-
less. I bawl out that Judge Young said everyone deserved a safe space
and we are that safe space, and Mama holds me
and tells me I am like that first Black
Supreme Court Justice who asks the questions nobody
is asking. I say, “Mama, Oliver Wendell Holmes who said
‘Three generations of imbeciles are enough’ isn’t Black.”
Mama rolls her eyes and I laugh,
“Wasn’t,” she says. Justice Holmes also said justice
is like a crystal ball, which I peer into: I see
the stately Thurgood Marshall who asked the questions.
When I asked Master if I was going to die soon
and be free of pain, he said I should never have given up
pieces of myself for this futile cause, which could only
bring me back to where I was. Master holds my hands to stop me
from scratching. Memories of Mama holding me
keep me warm as I sleep with broken porcelain
as proof of my flight before butterfingered dawn
calls out in good humor, “Good morning, Shepherd.”
Shepherd girl, Master’s right-hand kid, who never
made a vain deal with the devil. I wonder
if I ever made trouble because I wanted to,
asking the questions that needed to be asked
even when I heard their footsteps approaching.
Rachel Coyne is a writer and painter from Minnesota.